What’s better than a quarterly blowout party featuring lovingly curated top-shelf local and regional hip-hop performers and an open-mic cypher? How about one that goes down more often? Hosts AL-D and E.T. are slowly but surely building up the Meant for the Milk Crate party, and this will be the third time this year they’ve had it on an every-other-month basis — an exciting bit of news for a town bursting with rap talent but sorely in need of a place to show off. Representing the 615 on this particular bill are Seene P and his swinging flow; Finess, whose 2016 release Senior YR shows her dropping verses in a variety of contexts; and Magnetic Forces, a duo whose nerdier tendencies help them go deep into old-school territory on their 2017 full-length The Vision on Multiple Occasions. Supremely seasoned Memphis MC Jason Da Hater tops the bill. Some cool extras to note: There will be an additional cypher before the featured MCs take the mic, and there’s a screening of the damn funny lampoon-tastic horror-comedy Black Holler at 7:30 p.m. (And if you come out and pay the $5 to see that, you’ll get a discount on your admission to MFTMC.) STEPHEN TRAGESER, Nashville Scene
In the wake of films like Scream and Cabin in the Woods, you’d think more stock characters in horror flicks would have some idea of the peril their behavior puts them in. But where would the fun be in that? The all-local crew behind Black Holler is hip to this quandary, and the film revels in the campiness of familiar situations for maximum comedic effect. To wit, the plot features a bunch of cheese-addled horn-dog students who go traipsing into the woods like so much machete fodder, and it’s up to Laquita Johnson (played by the outstanding Tamiko Robinson Steele, who recently starred in Nashville Rep’s production of A Raisin in the Sun opposite Eddie George) to save them from the terrors that await. You’ve got your choice of screenings for the film’s world premiere on Monday: Come early for the Fancy Screening, complete with (bloody) red carpet, photo ops and a talkback, or come late for the Rowdy Screening, which promises Rocky Horror-style audience participation. STEPHEN TRAGESER, Nashville Scene
Spring is in the air (when the snow isn’t falling, anyway), and AL-D and E.T.’s quarterly hip-hop showcase is bringing some bands into the mix to keep the action fresh. This time out, half of the bill is dedicated to purveyors of soulful and funky instrumental sounds ripe for rapping — check out Magic in Threes from the G.E.D. Soul family, who spent 2016 writing and recording one new song every week, and Street Band Clan, who stir elevated jazz into the pot. Expect some excellent live-band hip-hop action, since the MCs on deck have experience working with these particular groups. The last time we saw the masterful Rashad tha Poet work a room, Street Band Clan was backing him up, and Wally Clark, known for his sample sorcery, actually graced some of last year’s Magic in Threes tracks with his deceptively laid-back drawl. DJ Vamp will tend to the 1s and 2s, and your gracious hosts will lay down a few bars between sets. As always, the night concludes with an open-mic cypher. If you can’t stick around, word to the wise: AL-D also hosts a weekly cypher every Tuesday at Bearded Iris Brewing in Germantown. STEPHEN TRAGESER, Nashville Scene
“Hot AF quarterly hip-hop series crushes at Cobra.” Read the full review at the Nashville Scene.
“Best Place to Hear Local Hip-Hop on the Airwaves”
The caliber of Nashville’s hip-hop artists is on par with our singer-songwriters and rock bands, but you wouldn’t know it from scanning the radio dial or walking into your corner bar. Besides being an outstanding MC duo, AL-D and E.T. are being the change they want to see in their scene. They do their damndest to make local hip-hop easier for the casual fan to stumble onto through the Fringe Radio Show; they alternate hosting duties on the show each Monday night on Radio Free Nashville. On air, they shine a spotlight on top talent from around the region with interviews and a heap of tracks, and then they bring it to you in the flesh, organizing quarterly showcase concerts under the moniker Meant for the Milk Crate. STEPHEN TRAGESER
One thing Nashville’s music scene needs to work on is being as inclusive and supportive of its hip-hop artists as it is of its singer-songwriters and rock bands. There’s a ton of top-shelf rap going on, but much of it happens in house-show cyphers you won’t hear about unless you know a guy who knows a guy. Besides being an outstanding MC duo, AL-D and E.T. do their damnedest to make local hip-hop easier for the casual fan to find — through the Fringe Radio Show, for which they alternate hosting duties each Monday night on Radio Free Nashville, as well as their quarterly Meant for the Milk Crate showcases. You may not know locals Foundation, BeHoward and K-DA, or Kentucky rapper Allen Poe (all of whom play Friday’s show alongside a four-deck turntable blitz featuring MFTMC regular DJ Vamp and The Boom Bap’s DJ Bowls), but their recent releases are all very much worth your time. Check out previews of each in an archive of the Aug. 15 Fringe Radio Show broadcast. As always, there’ll be an open-mic cypher to shut the night down, but save up some hype for Saturday night, too: At Charlie Bob’s, Spitball Productions puts on its first hip-hop show with a stout lineup featuring full sets from S-Wrap, Ra Noise, Trane Spitta and AL-D himself. —STEPHEN TRAGESER
Meant for the Milk Crate is back from spring hibernation with a bill stacked high with local hip-hop’s familiar faces. Hosted by Al-D and frequent collaborator E.T., this week’s show features MCs Case Arnold, Tim Gent and Cee Ohh. Between Gent’s latest EP For the Love and Case Arnold’s track “Noise” released last week, there is plenty of fresh material worth peeping from two of Clarksville’s best. And if that weren’t enough, the night wraps up with local staple/mash monster Amerigo Gazaway, whose The Trill Is Gone — a B.B. King and UGK mashup — was one of last year’s best local efforts. Stick around after for the open-mic cypher led by DJ Vamp. Our hip-hop scene is worth talking about, and MFTMC keeps the lights on as its foremost tastemaker. —MATT FOX, Nashville Scene
There are all kinds of great hot-ticket shows in town this weekend, but if you’re looking for a little something different — in terms of the venue or the event — well, we’ve got that too. Thursday at Portland Brew 12South, FMRL continues its series exploring extended techniques for woodwinds and reeds with Florida’s Jamison Williams and local Robbie Lynn Hunsinger. While Amy Schumer slays Bridgestone and Birdcloud and friends spread cheer at The Basement East on Friday, three-time IBMA Guitarist of the Year David Grier performs an intimate one-off at the Centennial Black Box Theatre, and electro-tinged troupes Hudson K, Iron/Fox and Nightblonde celebrate Synth-mas at The Crying Wolf. On Saturday, Atlanta’s one-woman sampler-and-autoharp darkwaver Dendera Bloodbath tops a stacked experimental bill at Charlie Bob’s on Dickerson Pike, with undulating synth-scapes by visual artist Derek Schartung and more (before a recent dispute between the promoter and management, you might have seen this show across town at Betty’s). Then, on Tuesday, Philly punkers City & I stop in at Drkmttr, the new DIY venue in Wedgewood-Houston, and Wednesday sees energetic and ethereal Texas dream-pop group Pale Dian headline at Queen Ave. Come out and keep Nashville weird!
Jared and Kristyn Corder — the happy couple behind the recurring East Nashville Underground festivals as well as several other local-rock-centric events — are brave. They must be, as they’re opening up their home this weekend to beer-swilling horror and rock ’n’ roll fans for their second annual autumnal Pumpkin Ale Patch Fall Party. The soiree commences with a beer tasting at 7 p.m., when attendees are invited to “pick a small pumpkin” that “corresponds with a seasonal beer of your choice.” Not sure exactly what that means, but it sounds like a hoot. After that it’s rock ’n’ roll time, when dreamy psychedelic garage-pop outfit Churchyard, Brit-poppy Oklahoma transplants Twiggs, and blues-riffing guitarman Justin Kalk and his Justin Kalk Orchestra will offer the jams. Then it’s a screening of the seasonally obligatory classic, Halloween. Costumes are of course encouraged, and the event is 21-and-up. Good luck finding a more adorable hang tonight.
—D. PATRICK RODGERS